Much Ado About Nothing

Exuberant 1950s Fellini’s World

Surrealist & Dreamlike: Blending reality with fantasy, often focusing on the inner, psychic, and subconscious world of the characters.

 

Grotesque: extravagant, excessive, and sometimes exaggerated imagery through use of silhouettes Circus/Spectacle Motif: parade-like or circus scenes to create a sense of theater and spectacle.

 

Distinctive Visuals: High contrast black-and-white photography, sharp shadows, and striking silhouettes

FelliniAbstract SurrealDream Space (think Salvador Dali)PostmodernArtistGiorgio de Chirico and Salvador Dali

 

Architect/ArchitecturePalazzo della Civilta Italiana (Square Colosseum) Rome, Italy